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Acting Emotions : Shaping Emotions on Stage

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Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind? The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage. This greatly resembles the detached acting style associated with Bertolt Brecht, which, in turn, stands in direct opposition to the notion of the empathy-oriented "emotional reality" of the actor which is most famously associated with the American actingstyle known as method acting. The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor.

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Ketersediaan

E0050

E0050

Perpustakaan Universitas Sahid Surakarta

Tersedia

Informasi Detail

Judul Seri

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No. Panggil

E0050

Penerbit

Amsterdam : Amsterdam University Press., 2000

Deskripsi Fisik

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Bahasa

English

ISBN/ISSN

53S64446

Klasifikasi

e-book Psikologi

Tipe Isi

E-book

Tipe Media

computer

Tipe Pembawa

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Edisi

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Subjek

PSYCHOLOGY
EMOTIONS

Info Detail Spesifik

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Pernyataan Tanggungjawab

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Versi lain/terkait

Lampiran Berkas

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